die ultimative rhino vinyl compilation! Über 28 tracks der northern soul all nighter anthems bieten große hits zu einem günstigen preis. qualitäts-klassiker von atlantic, atco, loma, reprise und warner brothers. mit dabei: chuck wood, tami lynn, the coasters, archie bell & the drells.

paul mccartney’s 1982 album back on 180 gram vinyl

the 1971 album from paul and linda mccartney back on 180 gram vinyl, remastered at abbey road studios. housed in a gatefold sleeve

with time spent away developing his studio, methods of mixing, as well as acquiring a small stash of new hardware, the resulting ep - inspired by recent travels to south east asia - effuses all these elements and passions together with that signature raw m.t. knack for organic percussion, heavily washed synths and pulsating rhythms.

green day sind die lieblingsband von vielen, und wenn man dem titel ihres neuen best-of-albums glauben schenkt, sogar von gott: hier sind die »greatest hits: god’s favorite band«.
und bereits die trackliste zeigt, dass sie damit recht haben könnten. insgesamt 22 songs aus drei jahrzehnten haben es in die chronologisch geordnete sammlung geschafft. von klassikern wie »2000 light years away«, »basket case« und »when i come around« über meilensteine wie »american idiot« und »wake me up when september ends« bis hin zu jüngeren stücken wie »still breathing« und »bang bang«.
ein weiteres highlight der »greatest hits: god’s favorite band«: die beiden brandneuen songs »ordinary world« (zusammen mit countrysängerin miranda lambert) und »back in the usa«.

sternstunde der fusion. frühes dokument aus detroit.

there is an intricate sorrow to isorinne s new album, speechless malison. though broadly melodic, it feels exhausted rather than restrained, though rippling with a pulse, the rhythmic passages are sparse, their measured source a great distance away. building on last year s cassette, echoic memoir, speechless malison takes greater and emotive strides, however brittle the path.

after a 10 year silence, the frequencies of radio mars are back on the line with a mini lp from the enigmatic the observer. the release features 6 tracks serving up a space journey oscillating between cinematic interludes, irresistible electro rhythm bass lines, and cosmic arpeggios. you will feel like you are traveling through an unexplored landscape, lost far and away, deep in the galaxy.

ltd reissue - classic

roberto aglieri is a noted italian flutist and composer, and his 1987 album ragapadani stands as one of his finest achievements. archeo recordings are ever hip to the finest treasures hidden away in the folds of esoteric music, italian or otherwise, and have done a great service in reissuing the album so that it might reach a wider audience. on this limited white marble edition of the album, aglieri s flute sounds haunting and evocative over the range of delicate synth treatments, largely orbiting the minimal realm but with a naive charm that makes the music wholly accessible at the same time. soothing, thoughtfully crafted music for tender times.

sean price sadly passed away on august 8th, 2015. sean was 1/2 of heltah skeltah, 1/8 of boot camp clik and developed a cult-like following with his trio of solo album releases starting in 2011. the sean price legacy continues with the highly anticipated posthumous release of his 4th studio album, imperius rex. key selling points: the album features doom, prodigy, styles p, smif n wessun, rock, method man, raekwon, inspectah deck, junior reid, buckshot, ruste juxx, bernadette price & more. production from alchemist, harry fraud, nottz, amongst others.

wonderwheel is happy to welcome in montreal based producer & don dada poirier for his first release on the label, the be alright ep. moving away from the traditional dancehall, dub and soca sounds he s become known for, poirier delivers a 4 track of afro-house influenced dancefloor firestarters. sowia heads to south east africa with it s floating guitar hooks, big bassline, and vocals in portugese from canadian-moçambican singer samito. ginobili goes into deeper territory with four to the floor drums, heavily chopped percussion, and a hypnotizing distorted mbira line, while camera continues the tropical vibe with a nod to semba with its driving guitar lines, staccato synth lines and thumping drums. antilles trax rounds it out as the extended instrumental version of sowia

ltd 50% deal , last copies left ... italian production duo, mushrooms project, make their debut on jansen jardin with the wonderful >galattica<. releases for labels like under the shade and is it balearic? and remixes for the likes of tirk, lipservice and nang have introduced their blissed-out, mediterranean sound to fans around the world. galattica is 11 minutes and 45 seconds of high plains drifting, dream disco for late night drives and sunset sessions. a lush combination of euro disco arpeggios and west coast guitars spill out across a landscape of live percussion, bass and dub acrobatics. this is the soundtrack to a spaghetti western set in ibiza. a fistful of cervezas. the remix comes courtesy of the mighty chicago damn who has been responsible for some extraordinary music from his debut on mark es merc label to releases on claremont 56 and his own eponymous imprint. here he re-imagines the original track in the image of model 500, stripping away the music to a raw machine groove. dark, atmospheric and undeniably aimed at the floor.

all flowers in time is the debut album from space captain, built around the themes of love and nostalgia with a pinch of bitterness and betrayal. with intricate arrangements of fluttering guitars, sparkly keyboards, and cyclical layers of background vocals, all bound together with dreamy indie-pop melodies for a sweet curve-ball of a finish, this beautifully crafted release takes the brooklyn 7 piece to new heights. extensive influences range from thundercat through amy winehouse to bon iver, but space captain are never anything but themselves, as this release shows. it sees the band moving away from the electronic and experimental sounds of their previous ep, instead taking them back to when they first formed, whilst also pushing the boundaries of their familiar r&b realm. for the band, all flowers in time quite literally signifies the flowering of their careers and the work they have put in to get there

mit -galvany street- und der kombination aus modernen beats und sounds und 80er und 90er pop-referenzen, gelang booka shade in kooperation mit archive-sänger craig walker anfang 2017 das ambitionierteste werk ihrer karriere und das wichtigste seit ihrem meilenstein -movements- (2006). nun erscheint zum jahresabschluss ein superlimitiertes boxset mit 2xcd, lp, den drei 12--vinylen, sowie einer brandneuen pure audio bluray mit dem vollständigen album plus der extended version eines bonustracks in dolby atmos-mixes. kompatibel für alle bluray-player, erfährt man mit diesem für multikanal-filmsoundtracks entwickelten format eine einzigartige 3d-klangdimension und erhält zusätzlich headphone surround 3d-mixes für kopfhörer und hochqualitative stereo-dateien in 24bit/48khz. das boxset erscheint in edler, weisser vinyl-box mit schwarzer banderole (im original-album-artwork) und ist auf weltweit 300 stück limitiert.
- packaging: weiße stülpdeckelschachtel (316 x 316 x 30 mm) mit schwarzer banderole (im original-album-artwork)

inhalt:
pure audio blu-ray (dolby atmos mixes)
2cd galvany street (ltd. 2cd deluxe edition)
lp galvany street
12- babylon
12- numb the pain
12- loneliest boy/just like tonight

as the cab passed by, the two stars collided with an enormous energy flash. for a few seconds, the galaxy fell dark and silent. but a, has barely noticed anything. her heart was full of music, and her body, full of love.
blorp is here again, ready to take you away and melt your soul. on board, serious a, a charming parisian astronaut with a crafted signature sound you’ll fall in love with and never forget.

high focus records regular and member of uk rap super group the four owls, verb t has joined forces with production wizard pitch 92 for the new album ‘good evening’.
pitch, who has spent the past few years as the musical mastermind behind the award winning mouse outfit collective has excelled himself on this release bringing to the table a delectable selection of funk & soul infused bangers serving as the perfect backdrop for verb t to unleash his smooth brand of thoughtful lyrics and hooks.
having spent 3 years writing for ‘good evening’ verb t has put forward some of his most personal rhymes to date, delivered with a new found passion that sees the veteran build on a body of work that stretches back to the days of low life records and now sees him as a major part of the ever expanding high focus records movement. the album features guest vocals from uk giants ocean wisdom, jehst, drs, fliptrix, bva, king kashmere of strange u, sparkz, black josh, rye shabby, confucious mc and moreone.
‘good evening’ on limited edition vinyl will be officially released with a digital dropcard containing a digital copy of the album plus bonus instrumentals!

this customarily smooth set from 1981 is perhaps most famous for featuring three unforgettable tracks made with marcos valle. rio’s pop-soul wunderkind was exploring soul textures at the same time as leon was absorbing the rich flavour of brazilian harmonics. together, they crafted rhythmically sophisticated and melodically adventurous soul.

the second instalment of kc’s finger printz ep’s has finally been repressed! that’s right, you know how it goes down by now, this is that high-grade, underground, boomin’, house music! every track is a dancefloor shaker, kerri style. if you don’t know what that means it’s simple - swinging, tough drums, killer samples, those basslines and a whole lot of new jersey swagger! this one came out in 1998 and features 4 storming cuts that cover a variety of styles, such is the versatility of kerri’s sound. it’s all here, vocal cuts, dubwise deepness, jazzed out late night jams for the hardcore dancers.... you got it all. absolutely essential business here. one for the hardened kc acolytes and one that will undoubtedly blow the minds of those tuning in for the first time. timeless music.
this is one of a series of official madhouse / kerri chandler reissues for 2017. every title has been remastered by kerri chandler himself, from all original sources and each reissue has been legitimately released in full conjunction with kerri and madhouse records. and, as if that wasn’t enough, all the reissues will be coming in the classic madhouse records house bag. snoozing not advised!

h4l after discrete circuit kicked off astray, another offshoot of the berlin party series away, the other half of their joint venture away soundsystem is in charge for astray’s third installment.

eitan reiter, one of the most exciting producers of the moment follows up his collab album with sebastian mullaert with an ep on gem records. tracklist: a1 eitan reiter look away b1 eitan reiter & prz flux b2 eitan reiter, barak rosen & ben kirschenbaum koolios shortinfo: gem052 comes from the exceptionally skilful hands of eitan reiter. label boss secret cinema has had an ear on reiter ever since his prolific reflections of nothingness album in collaboration with sebastian mullaert. gem records have the honour of releasing the three track flux ep which features prz, barak rosen & ben kirschenbaum.

after the world applauded sascha funke for his latest album lotos land, he gave away some tunes to friends for remix duties. düsseldorf based tolouse low trax formed twirl into a foggy dark mpc-seducer for romantic nighthawks that love dancing. also australian boy dreems prepared a remix that grooves odd and uncommon. his percussive version of im feiern und feuer is a slow whirlwind, perfect to start and end a great dj night. with tuff city kids a duo formed a remix that is good for big room love affairs. their version of purple hill is a heartfelt melange between trance and house deepness that works on any dance floor. the final edit comes from glasgows junto club, who transformed comola, a tune that they already produced originally with sascha funke, into a longing dark melodic synth stepper. four versions, four hits, four atmospheric dimensions beyond words. tune it loud!

kanja records is sincerely honored to present its sixth vinyl release, based on a concept called sunday mornings. with this series of releases we will focus on that warm up, early morning, after party gems and slowly fading away from peak time music. our philosophy behind this concept is that the focus goes to the tracks being timeless, and music that you can listen to in every time of day and night. music that offers a vast variety, but in the end coming together in that sweet and warm morning glory. bidon by university of nowhere was definitely our first pick for the first track on this release. nice warm pads and steady broken beats are becoming a trademark for their production. astral control by maurice giovannini perfectly sits beside our opening track with its laid back mood and again nice moody pads. insen gathway by widovski, an opening track on our b side, with nice minimalistic grooves, warm pads and freaky background ticks, surely deserves a spot on this release. defenders of prisma by gabriele carasco and enzo pietropaolo is the final track on this vinyl release. a really special track, which has a very mysterious and sentimental vibe and nicely rounds up our sixth release.

nice price deal !!! after a busy summer of festival dates and sun-drenched summer parties, hotflush are back to attend to their autumn release schedule, the first of which welcomes a new collaborative project from two anonymous producers, united under the guise of nefertt. both producers have become synonymous with a distinct and versatile approach to music-making. between them, they have covered everything from hip-hop, dubstep, drone, ukg, soul, jungle, broken-beat and electronica int he body of their own previous productions. this new collaboration sees the pair invoke a slightly more dance floor-orientated spirit, taking a marked step away from the heavily swung, nervy house / garage hybrids of their previous material, preferring to focus on irrestistible groove and lush melody.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus- years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 longer than usual tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the 11th edition of the golden ravedays album will be released on hippie dance in november 2017. side a brings brothers. with two decades of spinning experience in disco’s, nightclubs, festival arenas, shady after-party zones and intimate studio soirees there is no doubt that superpitcher is seasoned in throwing a damn good party. brothers is party personified and a celebration of the night and the wise owls that respect its magical rituals. its ultra-chic disco groove and dreamy female vocals transport one to a carnival of blessings. side b features sleepy head, a hypnotic lullaby carefully tucked away in a hammock that rocks to and fro like dozing mermaids in a wavy curtain of seaweed. sleepy head is a smart artistic statement and whimsical pause just before the release of the grand finale of the the golden ravedays saga.

33 sinatra classics on double vinyl lp, housed in a gatefold sleeve.

you probably don t know this disco banger, i think there is about 4 or 5 known copies on 7inch, everyone who has a copy has been keeping it quiet. i first heard it from david haffner about 4 years ago and had been after it since then. after a lot of research i came to the conclusion the everyone involved had passed away, but months after giving up after i spotted benitas full name on another related lp credited as a backing singer. i was then able to track down benita who was alive, well and surprised and very happy to hear from me. this one is a beast and will fly out (i find myself saying this far to often).

the copenhagen based pop wonders blaue blume return with a new ep - sobs. the band formed around 6 years ago in a provincial danish town, drawn to each others love for rich, playful music. blaue blume (blue flower) is the epitome of a romantic band, their songs are brimming with love and yearning. now ‘sobs, the follow up to their ‘syzygy album in 2015, continues to build their reputation as a best kept secret, about to find a whole new audience of devotees. all four tracks for the ep were recorded in late 2016 in a three story villa, formerly owned by a religious cult. the band used the weird space away from the city to create a framework for the lyrics and the music. the band explains: blaue blume has been our band for about 6 years. in a bigger provincial town we started playing right out of highschool. at the moment we live in copenhagen and every day we play, write and work on sounds. its sort of become a life project. in our heads we make music that is playful, rich in detail and popish or somewhat smiling. for some beautifully inexplicable reason we ended up doing music together. in a way it seems sacred or at least meaningful. macabre is a happy song about being afraid of dying. some of us find that even the best life can be lonely sometimes. we found it interesting to address this taboo within the frame of a song that people could potentially dance or sing along to.

crafted from solid and water-repellent 600d polyester with pvc backing layer smooth rolling, precision inline wheels and sturdy built-in tuck away handle internal rain cover protects trolley handle access integrated pvc body, 3 cm bottom and 1 cm side padding 1 cm padding on all sides water-repellent zippers riveted handles and straps lockable zippers on main compartment rubber corner protectors ergonomically shaped, adjustable shoulder strap and padded carrying handles hand luggage compatible outer dimensions: 41 x 35.5 x 20 cm inner dimensions: 31 x 32.5 x 16 cm weight: 3.7 kg

the always-deep closed paradise serves up the first release for better listen black label, which will look to show off the moodier, house side of the dc imprint. the secrets ep is four tracks of deep tackle, pulling from lush r&b soundscapes and vibes from far away places alike.

after putting out kito jempere s stunning sea monster album earlier in the year, hell yeah now serve up a bunch of remixes from it that have been secret weapons for the last few months. behind them are black spuma, lipelis and bell towers and they all serve up real heaters. first up with possibly their best ever remix are black spuma—a collaboration between phillip lauer (tuff city kids, arto mwambe) and fabrizio mammarella (telespazio)—who flip ampa into a bootylicious house cut with fat bass stabs and sci-fi synths. it s retro in flavour and riddled with melodies that are brightly coloured and emotive, and when the vocal is layered in it helps carry you away on a wave of bliss. for djs who prefer to keep things raw, a dub version without the vocals is also included and bangs that bit harder.

honey butter launches in a flurry of feel good deep house from lesser known producers with a keen ear for straight up groovers. swales kicks the record off with the melancholic tones of pushin away, while ari bald sidles in with the wistful sample chops of hot 2 cold. sabie blanc takes things to even dreamier heights on the b-side with the harp-embellished romanticism of musique d ascenseur, and then eben rees finishes the party off with some seriously funky licks on dirty dishes. all in all, it s a formidable salvo of likeminded deep house jams that should work its way into the bags of all manner of soulfully-minded spinners.

limitiertes silbernes heavyweight vinyl in spined sleeve inklusive mp3-downloadcode.
der pop-avantgardist john maus präsentiert sein viertes studioalbum “screen memories”! nach dem erscheinen seines aufsehenerregenden albums “we must become the pitiless censors of ourselves” (2011) ging maus auf ausgiebige tour, veröffentlichte ein jahr später “a collection of rarities and previously unreleased material” und verschwand dann von der bildfläche, um sich seiner akademischen ausbildung zu widmen. nachdem er diese mit dem doktortitel in politischer philosophie abschloss, widmete er sich dem bauen von modularen synthesizern und eigenen panels. gleichzeitig komplettierte er “screen memories” in völliger eigenregie in seinem abgeschiedenen zuhause, der so genannten funny farm in minnesota. der erste vorgeschmack des resultates war ende august mit dem album-opener “the combine” zu hören. darin singt maus mit sonorer stimme und im charmant-elektronischen barock-soundkleid: “it’s going to dust us all to nothing, man. i see the combine coming.”

schwarzes heavyweight vinyl in spined sleeve inklusive mp3-downloadcode.
der pop-avantgardist john maus präsentiert sein viertes studioalbum “screen memories”! nach dem erscheinen seines aufsehenerregenden albums “we must become the pitiless censors of ourselves” (2011) ging maus auf ausgiebige tour, veröffentlichte ein jahr später “a collection of rarities and previously unreleased material” und verschwand dann von der bildfläche, um sich seiner akademischen ausbildung zu widmen. nachdem er diese mit dem doktortitel in politischer philosophie abschloss, widmete er sich dem bauen von modularen synthesizern und eigenen panels. gleichzeitig komplettierte er “screen memories” in völliger eigenregie in seinem abgeschiedenen zuhause, der so genannten funny farm in minnesota. der erste vorgeschmack des resultates war ende august mit dem album-opener “the combine” zu hören. darin singt maus mit sonorer stimme und im charmant-elektronischen barock-soundkleid: “it’s going to dust us all to nothing, man. i see the combine coming.”

astral dust is a 4 song excursion bridging the styles of derek michael and marshall applewhite. this project stems from a live recording of a set performed by michael in 2002. after being tucked away for almost 15 years, the recording was found and sent to applewhite who dissected the performance into fragments and breathed a new life into them. while some portions of this release are distinctly sludgy, the majority is a perfect amalgamation of both michaels and applewhites hard-edge, melodic borderline idm styles. the digital release will feature 2 digital only sub cuts from the sessions.

»the legend live« enthält eines der letzten auf film festgehaltenen live-konzerte von bob marley kurz vor seinem überraschenden tod 1981. zusammen mit seinen legendären the wailers performte bob marley 21 seiner welthits im santa barbara county bowl, kalifornien am 25.11.1979.
die show enthielt überragende versionen von hits wie ›i shot the sheriff‹, ›one drop‹, ›exodus‹, ›jamming‹, ›is this love‹, ›stir it up‹ sowie ›get up stand up‹.

180 gram vinyl in gatefold sleeve with booklet and download code included.

since jim coles took on the mantle of om unit, the english producer has sought to challenge himself and his audience by going beyond the confines of genres and styles he has so far explored. in the process he has found success by striving for more feeling, for a more human and daring electronic music. this journey continues with ‘self’, coles’ third album as om unit and a true follow-up to his 2013 debut ‘threads’.
‘self’ captures coles in a period of growth, change, and experimentation. inspired by personal psychological and emotional healing work, and a vision of the self as an egg — which coles later on discovered is a jungian archetype — the album blends dubwise, bass-heavy music with the space of experimental ambient compositions and the daring imagination of a cold wave science fiction soundtrack.
the first om unit album on coles’ own cosmic bridge label, ‘self’ offers new forms amid familiar touches. stripping away what people might expect, coles deconstructed and reimagined his work so far as a challenge to himself and, in turn, to his fans.

this album has been many years in the making. around 2005 we were gigging, playing hip hop breaks and supporting acts like krs-one and raekwon. we wrote a lot of our own material, but we never properly recorded it in a studio, we did however make lots of -one mic- recordings onto a mini-disk player. tom kept hold of all of these recordings and in 2011 send copies of everything to the rest of the band. a short list of 30 were chosen to record properly. a basic studio was booked, and recording began, initially it was pretty basic, just drums, bass & keys with guitars overdubbed the following day. with these foundation rhythm tracks tom went away and edited them, creating structure, extra layers and demo mixes. these demo mixes were used to send to mcs. it was decided to go with american mcs as the type of thing we listened to when we wrote a lot of our material was classic 90s hip hop. el da sensei & sadat x were the first to respond to our request, and soon features were flying through ever other week. we actually had enough material for 2 albums, but picked what we wanted to represent our first release and continued to develop the material, including adding session musicians for harps, brass, strings and cuts. we chose 4 tracks to create videos for and got the ball rolling with various video makers. the final year was spent mixing, sequencing and deciding on artwork. the title cinder hill is reference to where the band spent many afternoons practicing at john & joe’s parent’s house, their mum maggie passed away in 2016 and the album is dedicated to her for her endless support and love for the music.

breaking his silence after twenty years, sebastian snoeck a.k.a sebastian s. will be the second member of belgian collective “bwp experiments” to release on the basic moves imprint. he has handed over two previously unpublished tracks made under the moniker caustic 14. after listening to “personal space invader” in 1997, carl craig asked sebastian s. to produce new material for his own label, planet e. “message in a box” and “rising star” were therefore made as a response to this request. however, due to a political transatlantic rift the tracks never saw the light of day and have since been stored on dat tapes, hidden away from the general public’s ears. if i had to describe sebastian’s output, i’d say it is most importantly energetic, positive, and groovy. it bears the mark of a certain nostalgia, shying away from the blind celebration of both futurism and experimentation in order to reach intemporality. this attempt to exist outside of time gives his productions a certain character and in my opinion his music has come to embody something i like to call “space opera techno”. sebastian s has succeeded where many before him have failed: by avoiding copycat tactics and simplified approaches to production he managed to create a singular identity. the tracks are recognisable after the first few seconds – and that’s what makes his work so unique!

mark and clive ives have been prime examples of the second life reissue culture can give previously under-appreciated artists, and emotional rescue have been one of the key labels to support the enigmatic brothers from london. as with previous reissues, -a la luna- presents the delicate, naive yet deep sound of woo across a long form album that invites you on a curious journey of discovery. with a melodic instinct bordering on exotica, and unique range of instruments in the sound palette and a dreamlike approach to processing, there s nothing out there that sounds quite like woo, and as ever it s a joy to delve into their sound world and leave more earthly familiarities behind.

spektakuläres debütalbum des dubstep-produzenten prash mistry aka engine-earz experiment, der bereits mit the prodigy, nitin sawhney, roots manuva gearbeitet und mit the streets, tricky, dj shadow, enter shikari getourt hat. symbol ist ein melting pot diverser stile, majestätischer strukturen, göttlich erzeugter sounds und exzellenter features, darunter von der einzigartigen lisa gerrard (dead can dance), soul-star aloe blacc und dem dubstep-protagonisten flux pavilion. das artwork entwarf nitin shantilal vadukul, bekannt für seine portraits vom dalai lama, barack obama und jay-z. neben cd, lp erscheint symbol auch als blu-ray audio in hochwertiger 5.1 und 9.1 auro-3d-qualität.

it does not happen that often any more that unreleased music from 40 years ago surfaces. even more unlikely it is that the songs put on tape are such treasures. the voltags were right at the forefront of the local washington dc new wave/punk scene of the late 1970s. influenced by kraftwerk, gary numan, the clash, and the b-52 s, they have released only one 45rpm single during their existence. but during the time span of not even 18 months, they had recorded enough material for an entire album - but the songs remained in the can. this is the story of the voltags, a short-lived band which could have become famous and mentioned in the same breath as the aforementioned music legends of that era if their songs had been released back in the day. dive in and enjoy the sound of the voltags, it is truly special. we here at perfect toy are thrilled to be label to finally release their work and we sincerely hope that they are finally getting the appreciation they so richly deserve.

am 11. mai 2007 erschien das dritte album der us-amerikaner, welches in deutschland, Österreich, der schweiz, den us und in großbritannien auf platz 1 einstieg. neben den singles »bleed it out« und »shadow of the day« enthält das album den hit »what i’ve done« – die bisher erfolgreichste single der band in den usa. jetzt ist das album als picture-vinyl wieder erhältlich.

the cowboy moved slowly out of the booth and into the studio. you could tell by the look in his eyes, that the half-dozen shots of chivas regal had put his ego to rest, and he was ready to sing with the lady. they sang for three nights - the cowboy and the lady, and the gods were kind, and their album was finished on time. herein, lie the results…some good, some bad and some more. - lee hazlewood

some might say jordan fields is one of the most criminally underappreciated figures to rise out of chicago in the late 90s, not for people who know what s what though. after a career spanning more than 20 years he has established himself as one of the key figures of the underground. coming out of where everything started, chicago, jordan released records on a handful of key labels like catalyst, track mode, som underground, mood groove, maffia. he did not stop there and today he is still releasing bangers having never lost that magic touch that has kept him firmly grounded on the purest form of the underground, and that, after more than 20 years is pretty much unheard of. when we first contacted jordan we wanted to go back to where it all started, we wanted to be transported to late 90s chicago, to a time where it was all about the dance floor, when tracks meant something more than songs, when purely club-oriented music was the purest form of the underground. to be honest we were not expecting to get exactly what we wanted straight away, he immediately sent us a collection of tools straight out of dat tapes he had, going all the way back to the 90s and early 2000s, so yeah to say that we are excited with this release would be a huge understatement. this is a collection of tools meant for the dancefloor, not reminiscent of some gone by era, these are the real deal, made by a true master, 20 years ago, for the future.

the new anti-flag album on vinyl with download code included.

the delsin re-issue arm turns its attention to lost trax. this ep features four cuts taken from two different eps, the saturnian system and lost trax 2 from 2006 and 2010 respectively. saturnian system opens the ep with some acid laced electro slickness. fluttering snares and spacey synths carry it away into the cosmos, then the sequel gets much busier. scurrying lines dart about in manic but funky fashion, with serene pads off setting the high energy drums. self destruct sequence then drops into an urgent, slippery electronic groove riddled with squelchy sounds and rubbery bass all perfectly orchestrated. last of all, birth is a nimble electronic house cut with plaintive synths and kinetic drums that wiggle and wriggling through the night sky. this is an ep stuffed with timeless sounds and is another essential reissue from delsin.